My Masons Mark

31 July, 2013 – 2:21 pm

Some of you may want to go and find my stonemasons mark, I have put together a few photos of where you can see it in the greatest quantity. Back in 2000 I was recuperating from a nasty injury which prevented me from working outside in the cold and with cold water-what we used to clean the stone with, therefore I spent alot of my time in the workshop with my stone axe and the templates for the replacement pier stones, mainly carved in Birdlip limestone. At the time we were seeing if it was possible to use the original building materials, sadly there just wasn’t enough of it.

The photos are from the outside wall of the painted chapel.

The photo of the South Transept face is in there because near the top on the west turret I carved a replacement capital and springer stone in situe, the left hand one of the 2 middle ones, they make up the support of the blind arcade arches. It was to replace stones that had no template nor could one be created, as the original masons also carved them in situe and carved them to fit. I also did extensive work along the string course and obviously cleaning the turret as well-this work was carried out in 2002, I was able to carry on with alot more of my duties at this time.

If you visit the cathedral, take time to appreciate not only the work of the masons and craftsmen who built it, but also the continuing effort of todays masons and craftsmen.

Please follow this link for more information

I hope you enjoy your visit and looking for the masons marks of today.

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Pershore and Bredon

25 June, 2013 – 3:48 pm

Here are some photos of a memorial I carved back in 2011, I am particularly honoured to help in remembering our armed forces.

It is at the West end of Pershore Abbey and has a lovely seating area for quiet reflection.

It has some very fine examples of Norman and Early English Architecture but has seen a lot of destruction throughout it’s long history. In 1090 the building of the Abbey was started and carried on for 40yrs, I should imagine that apprentices turned to masters in that time and went on to train their own apprentices. The grounds would have been populated with craftsmen of all sorts the noise would have been amazing, with the chinking of hammer and chisel, the ringing of chisel on stone as they carefully carved the stones for this beautiful building. The South Transept and tower piers remain. Sadly in 1223 a fire on St Urban’s Day (the patron saint of wine growers) destroyed the Norman Quire. It took 16yrs to complete the rebuild in the Early English style, and in 1239 the Quire and combined Triforium and Clerestory were completed.
It must have been difficult repairing and rebuilding as these are additions to what was already there. If the work carried out previously was substandard or the initial drawing and setting out was wrong then building on something new could lead to problems in later times.

In 1288 another fire brought down the Norman tower and ruined the Quire roof, work was started in 1290 and continued for 40yrs to rebuild the tower, this time in the decorated style the Quire roof was built using Ploughshare Lierne Vaulting (named such because of the shape resembling the blade of a plough). The photos show this vaulting as well as the magnificent bosses rich with foliage and faces! Gloucester Cathedral has some very fine examples of this in their Quire Vaulting.

Then in 1540 the monastery was surrendered and it was bought for £400 to be the Parish Church. Something tells me this was not constructed very well as in 1686 the North buttress was built to support the tower after the North transept fell!!

In 1862 Gilbert Scott carried out restoration work and the lantern tower was built.

In 1913 the Western buttresses were built as cracks started to appear in the South Transept and the vaulting. these can be seen in the photos above.

This building would have been the same size as Tewkesbury Abbey and it is likely that the same group of masons worked on these two as well as Gloucester Cathedral-I feel a connection to these buildings as a former member of the masons who helped in some of the restoration at Gloucester Cathedral.

The photos below are taken at St Andrew’s Church just over the road, I was particularly taken with this little chap not sure what he is but this is where my inspiration comes from for some of things I carve and this sort of observation has served masons and carvers for thousands of years.

 

St Giles Church at Bredon, a stop on my way home and not far from Tewkesbury. The original Norman Church was started in 1180 and it consisted of a Chancel (the area at the east end where the alter would be), Nave, Tower and Porch,

During the 13th century the Early English South Aisle was built and during the first half of the 14th century the small Norman Chancel was replaced with the present decorated structure, the North Aisle and the tall slender spire were also added, this to me suggests a time of prosperity in the village.

The building has remained pretty much untouched since 1350 except for the odd repair and minor modification.

The two new dogs heads are not to my taste as they are a little Disney but the carver has tried to put a modern spin of what may have been there, round the corner on the North side is an original dogs head, very similar to the Deershurst dogs. Masons would have gone from church to church, copying and carving in their own styles. I have seen similar carving in Norway and if you look at The Hereford School of Sculpture you will see a correlation between churches and ecclesiastical buildings across the counties.

The photos below show carving on a 14th century coffin lid that was discovered accidentally, it has a cross of thorns in the middle which suggests a link to the sacred Glastonbury tree. It has been suggested that these are early members of the Reed family.

This beautiful memorial is from the mid 14th century and commemorates William and Katherine Reed of Mitton with their child. I particularly like this carving as they are so beautifully carved

these photos are of a beautiful example of 17th century carving in Alabaster and Black Marble, it is a memorial to Sir Giles and Lady Catherine Reed who died in 1611. They contributed a great deal to the village and their lasting legacy are the 17th century Almshouses which still provide homes for some of the elderly villagers.

 

I think you will agree that this carving is exceptional, so fine and the detail is breath-taking.

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The Gloucester Stone Carving Festival

3 June, 2013 – 2:22 pm

What a huge success, it was my first year organising this event on my own, I did 2 others in 08 and 09 in The Forest of Dean but they didn’t compare to this one.

The stone which was generously donated by Veizeys quarry in Tetbury was greatly received by all the masons and even the general public in my have ago sessions enjoyed carving it-as I have said before this is the best stone in the county!

The weather was glorious people sitting on the grass relaxing with their youngsters while the mason got on with their carvings, and what amazing carvings. They all started with a block 8 x 8 x 12 inches and a pre-designed idea to the theme nautical to tie in with the Tall Ships Festival.

The aim of this event was for the benefit and education of the general public and stonemasons alike, I think we ticked all the boxes, I know I did more that 20hrs have ago even though I had only scheduled 4! Who knew they would be so popular and when people were still turning up at 6pm, I couldn’t say no.

I am hoping to attract more sponsors next time; I had some good ones this year;

Mainpoint Fire protection who are based in Cheltenham lent us fire extinguishers, The NFU in Cinderford who provided our insurance gave us £100 towards the insurance, I managed to secure £750 from Heritage Lottery funding through Gloucester City Council. Gloucester College opened up their showers so my masons could wash off their hard work.

Marketing Gloucester the organisers of the Tall Ships Festival helped me enormously as well with various things one in particular was putting us out over the tannoy throughout the weekend alerting people to our presence, we also appeared in their published material and on their website.

The Priory trust for letting us use the Llanthony Secunda Priory site was wonderful and hopefully the money we raised will go some way to helping this historic site.

Obviously the biggest sponsors were the stonemasons themselves and Veizeys Quarry in Tetbury-without either of these there would be no festival.

The Marquee was put up by Alpha hire and the scaffolding benches were supplied by Lansford Access.

With the sale of raffle tickets for my Mermaid carving raising over £1500 I am happy to annouce that the event made just over £2500 profit meaning that The Llanthony Secunda Priory Trust will receive £1635 and The Gloucester Geology Trust will receive £1090.

The winner of my mermaid was Brian from The Forest Of Dean and naturally he was delighted with his win. The winning masons were, Alastair Mason from Dorset who won a £100 voucher from Gibsons tools for his carving of an Octopus, this made £300 in the auction,

James Wheeler won the senior masons prize, £75 tool voucher from Gibsons for his drunken sailor which made £140 in the auction

and Tom Kenrick for his peoples choice who carved a lovely Turtle which fetched £270 in the auction, his prize was £75 tool voucher from Gibsons.

If you would like to see more photos from the weekend then visit http://www.stonecarvingfestival.co.uk

I will be organising the next one for 2015.

 

 

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My Mermaid carving

15 May, 2013 – 3:44 pm

Well here she is, I have finished the raffle prize and one lucky person will be able to take her home.

Here are some close ups, and my stonemasons mark in the centre of the middle photo

For just £2 you could buy a raffle ticket, if you can’t make it to my event but would still like to support my event by purchasing 1 or more tickets cheques should be made payable to ‘The Gloucester Stone carving festival and sent to Cat’s Eye Carving, Taurus Crafts, The Old Park, Lydney park Estate, Lydney. Glos GL15 6BU. All money from this raffle goes into the festival kitty.

 

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The Gloucester Stone Carving Festival

12 May, 2013 – 11:56 am

Well there is only 2wks to go before the start of this event. I have worked tirelessly with the help of some very special people.

I am currently working on a carving as a raffle prize, the tickets are £2 each and the money that I raise form this will go in the kitty to ensure a successful event.

For more details on this event please visit http://www.stonecarvingfestival.co.uk

Here are the latest photos of the raffle prize, tickets are £2 each and will be on sale until the 27th May.

I have carved her hair to look like waves rolling back to shore.

As you can see I am piercing through the stone to allow the light through the carving, it also helps to make the carving not only look lighter but feel lighter.

I still have plenty to carve so imagine it will take me another 2 days.

 

 

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