Why am I Cat’s Eye Carving?

17 January, 2023 – 10:03 am

When I moved to Gloucestershire to take up my apprenticeship at Gloucester Cathedral, I was asked to design a stonemason’s mark. This mark now appears on everything I carve and it can be found on all the pieces that I carved for Gloucester Cathedral.

A little over 30 years ago I was studying sculpture as one of my A-level subjects at Sir Roger Manwood’s school in Sandwich, Kent.

I grew up on a farm and we had 4 cats at that time, I loved ancient Egypt and school trips took us to London regularly and I visited the British Museum to draw and study the Egyptian cats.

This inspired my A-level exam piece, I made fake papyrus by staining and marking water colour paper and then writing my essay on there, I tried to understand Hieroglyphs by visiting Sandwich library.

I am not sure whether any of this has survived as it’s in a portfolio with some of my other artwork in a collapsed shed on My Mum and Dad’s Farm.

The sculptural side of my final piece was a collection of cats, sculpted in different ways, the first one was out of modroc, over a wire frame and muddied up with clay. I wanted it to look like a mummified cat. This first cat is trying to get back through the mirror to Egypt but there is another cat coming out of the mirror to attack it. I removed some of the silvering in the form of triangles from the back of the mirror and painted scenes from Egypt. The cat coming out of the mirror was carved out of plaster of Paris, with Rose thorns for it’s teeth and claws. I used to sit in my Physics class with a plastic ice-cream tub on my lap carving with a scalpel because I didn’t want to do anything else.

The Eye on my mummified cat in the first picture is where my Cat’s Eye comes from for my Stonemason’s mark.

The second cat was walking across a mirror with ancient pyramids and sand attached to the surface, to give the impression that it was walking across the desert, I sculpted and carved the cat out of plaster and then treated her with a gold finish.

The final cat was in a pyramid that I made out of old denim that I sewed together, I painted a cat on this and attached it to bamboo canes, in the middle of this was a cat that I sculpted out of wax onto a bottle. This stood in the middle. I eventually cut the denim down and used the bamboo in the garden so I only have a photo of the cut out cat.

This exhibition along with all the other art students took place in St Peter’s Church in the heart of Sandwich. During the Summer of 2021, I took part in the Folk and Ale festival in Sandwich and I explained this to my boyfriend Ed, after he had heard my story, he pointed out that this is where Cat’s Eye Carving was born.

I am really proud to say that I was commissioned to carve a lintel piece for a house on the High Street in Sandwich in Kent, so my stonemason’s mark has come home.

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Reproductions

13 January, 2023 – 10:55 am

Some of the creations that I make to sell are reproductions of my clay models and stone/plaster carvings.

This one is a copy of a Medieval Angel found in a Church in Gloucester. St Mary De Crypt in Southgate Street in Gloucester.

Once I had some photos, I could sculpt a clay model of the Angel and add the missing parts, once the cast comes out of the mould, then I can add the detail to the fingers.

…then pour the silicone to make the mould.

It takes 24hours for the mould to cure, then I can start to cast my reproductions. I mix jesmonite with the sieved stone dust that I save from my stone carvings. Jesmonite is an invention from the 80’s that was developed as a non-toxic replacement for the resin used in fibreglass.

Each cast is slightly different as I finish them off by hand by carving the hands with a scalpel.

They are only available to buy from the St Mary De Crypt Church shop and a proportion of the sale goes back to the Church funds.

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Recent commissions

10 January, 2023 – 11:10 am
Carpe Diem

Carpe Diem was carved into an old grinding stone that my customer brought in to me. After a chisel check to make sure it was suitable for carving, I measured in from the edge and adjusted these measurements to balance the letter forms, this gave me my construction lines for the words.

My customer brought in this piece of stone for me to carve his house sign into a few years ago, and he wanted me to use the same font. Burleigh had been painted onto the lintel of his house and that was from where I originally copied it.

As this one was designed using a calligraphy pen, it couldn’t just be copied from a book and so I used the original as a guide for the new one.

My customer loved the sign that I had carved for her a back in January 2022…

…and so she commissioned this one as a Christmas present for her Mum.

Vine Tree Cottage

Using the letters and pictures to describe the words is great fun and helps to bring the sign to life. The piece of stone is from the Forest of Dean and is a natural shape, I can control how the stone breaks in order to get the shape my customer wants. I have painted it with a signwriter’s enamel paint to ensure the longevity of the finish.

Finally I drill the holes and provide the fixings. For an small extra cost I can come and put your house sign up for you.

Prices are worked out per letter, the variables of size, complexity, finish and stone type are what informs the final cost.

Please get in touch if you would like a free, no obligation quote.

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St Margaret’s Bay sculpture.

3 January, 2023 – 3:42 pm

I am so excited to share my photos with you of my 1st in a series of sculptures inspired by St Margaret’s bay near Dover.

Inspired by the flint pebbles that are tumbled around by the waves in the chalk and create beautiful shapes.

Shapes of footprints, waves and pebbles, nodules of flint that form in the hollows in chalk.

The flint that I used for the base comes from a farmer’s field (with their permission) rather than off the beach.

I am really excited to start my next sculpture.

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Chalk beach sculpture.

31 December, 2022 – 4:50 pm

This is the first in my new series of sculptures inspired by St Margaret’s Bay near Dover.

I decided to use a 2 inch thick piece of French limestone for the purity of colour but also it’s density and suitability for this sculpture.

I decided to use flint for the base, this isn’t from the beach as I don’t want to remove something that is part of the coastal defences. I have collected, with permission from the land owner from fields, where it would be a nuisance.

Here’s a video of me carving a particularly hard area, there is some fossilised shell in the stone so I have to carefully chisel over this area. The ringing sound indicates that this stone has no flaws in it.

I have cast the base using the flint built around the uncarved base. It should be ready in a few days then I can finesse my sculpture.

Here we go, as of today, almost finished.

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